When it comes to art or literature that deals with the topic of resistance against tyranny, an overarching theme is one of ‘martyrdom’. The stories of lives laid at the altar of liberty and humanity in their impassioned struggles against an oppressive evil. The world has over the years realised that as far representation of evil goes the epitome of the same can be found in the Nazi regime of the twentieth century. There have been countless movies and books written about their atrocities and the brave souls who fought against them, from outside and within the regime. Since evil has already been defined so clearly and repeatedly told to us, it does not take much to incite a feeling of disgust and hatred to the symbols representing them, the mere image of a swastika evoking the horrors of concentration camps in our minds. But, imagine about the heroes who fought against the Nazi regime (At this point, I would like point out that the Nazi regime was not the only brutal totalitarian regime of the 20th century, you can replace it with any of the countless ones you would prefer).
Which are the images that rush to our minds when we talk about the people who fought against the Nazis? The black and white 18 frames per second visuals of allied troops landing on the beaches of Normandy perhaps. Or if you are a connoisseur, Jude Law sitting on a tower in Stalingrad and sniping away at German soldiers. Of course, these were people from outside who had to fight the war. What about the ones who were living in Nazi Germany? The kindhearted Oskar Schindler or Tom Cruise with an eye patch trying to assassinate Hitler. It is highly unlikely that anyone would think of Otto and Elise Hampel.
Hans Fallada’s ‘Alone in Berlin’ is primarily, a fictionalised account of the lives of the Hampels’. A couple, who on losing their son in the war, proceeds to write post cards denouncing Hitler and placing them all over Berlin. It would come as no surprise to anyone familiar with history that their antics gained no sympathies and the cards never made any impact on anyone in Berlin. They did not go viral and were not passed from person to person resulting in a mass movement that took on the mighty. One does wish they lived in the movie world of the 2010s where everything from a political upheaval to finding a cure for cancer happens over a montage in which random people look at whatsapp and facebook on their phones and computers and forward texts and share posts. The Hampels’ were people who can be aptly described inconsequential.
When representing heroes fighting against tyranny, we have often forgotten such individuals. We have forgotten revolutionaries who were morons, their idiocies often serving as a reason to disqualify their veneration on paper or screen. This is quite puzzling because the only quality that needed to lauded was their courage and integrity in the face of danger and death. This is where Fallada’s book is important. It tells the lives of those people, people whom history has brushed off its portrait for their failings as per utilitarian calculations.That is why this book has to be read, to remember their importance, the importance of inconsequential heroes.